Government Printing Office, Melbourne, Australia

Thanks to Don Hauser for allowing me to use this extract from his book “Printers of the Streets and Lanes of Melbourne” which he designed and typeset at his Nondescript Press. Unfortunately for us, but fortunately for Don, the original limited edition print run of 1,000 copies entirely sold out and the book is no longer for sale.

Linotype delivery
16 Linotypes ordered by the Commonwealth Government arrive from England in 1907 for installation at the Victorian Government Printing Office.

The Government Printing Office was formed by Superintendent LaTrobe in January, 1851. Prior to this various firms undertook the work of Government as self-proclaimed Government printers.

Melbourne’s summer heat played havoc with the letterpress printing process which, at this time, had not greatly improved since the incunabular work produced prior to 1500.

The composition inking rollers melted so frequently that a well had to be sunk into the pressroom floor in order to stabilise the gelatinous rollers.

Government Printer John Ferres reported that “the immense clouds of dust which so frequently envelope the city are also found a great impediment.”

The dust and grit wore down the lead alloy type metal and woodcuts so quickly that frequent replacements were neccessary.

Sheets of paper were dampened prior to printing, flattened again under a powerful hydraulic press, then dried on racks in the folding and drying room.

These labour intensive methods produced work of surprising high quality difficult to duplicate today.

Neil Gay began his five year apprenticeship to “the Gov” as a compositor in 1958.

He recalls the 30 to 40 Wharfedale or Miehle letterpress printing machines all in line and many of them hand fed; the leather room that stored the binding leathers used to bind beautiful hand crafted, fully bound books and journals with gold lettering, leather corners and spines; the hydraulic water powered lifts that stopped mid floor when the water pressure was low and the gap between the floor and lift which sometimes allowed a chase locked up with 16 page sections of monotype to drop to the basement into a million pieces.

The type and storage area was known as the “dungeon” and was a haven for many a card game for malingering apprentices.

The dungeon also stored old formes of letterpress posters and displays. During a clean up day, no one thought twice about throwing out Ned Kelly’s reward poster composed of wooden type and blocks. Imagine its value today.

Sands & McDougall, Melbourne, Australia

Thanks to Don Hauser for allowing me to use this extract from his book “Printers of the Streets and Lanes of Melbourne” which he designed and typeset at his Nondescript Press. Unfortunately for us, but fortunately for Don, the original limited edition print run of 1,000 copies entirely sold out and the book is no longer for sale.

Composing Room, Sands & McDougall, Melbourne, Australia, 1897
Composing Room, Sands & McDougall, Melbourne, Australia, 1897.

The first “Melbourne Directory” was published by Sands & McDougall in 1856 and continued production until 1974. A 1975 issue had been planned but the cancellation of 600-800 copies by the Victoria Police, left the next largest order for 30 copies. Production of the directory was unsustainable.

The sale of many tonnes of letterpress standing type metal returned a generous liquid asset to the company.

The legacy of “Sands & McDougall’s Directories of Melbourne and Suburbs” today remains a huge resource to amateur and professional historians.

A printing press powered by a water-driven turbine was set up in 1867, a huge improvement on the existing 22 hand operated presses.

By raising 72,500 pounds in debentures, a huge building costing 45,750 pounds was erected at 357 Sepncer Street and completed in 1889. This edifice, which still stands today, was in its early years jokingly referred to as “James MacDougall’s White Elephant of the West.”

Letterpress Printing department, Sands & McDougall, Melbourne, Australia, 1897
Letterpress Printing department, Sands & McDougall, Melbourne, Australia, 1897

The printing of tram tickets became an important contract for Sands & McDougall for many years. As late as 1923, a large rotary press for printing tram tickets and a quad crown two-colour offset machine were installed.

Around the turn of the Twentieth Century the company was the largest printing establishement in the Southern Hemesphire and the “Invicta” logotype could be seen on a vast range of printed products including account books, exercise books and many items used for the Australian Federation Celebrations in 1901.

Since its early days, the company printed banknotes for the trading banks in a special note printing department. In 1910, the Federal Treasury took control of note issues. The Commonwealth Note Printing Branch was established in 1913.

Today, Sands & McDougall Printing continues in partnership with the Henry Thacker Print Group and a number of associated companies who are part of the Sands Print Group headquartered in Geelong.

Abandoned Intertype C4

Abandoned Intertype C4

I FOUND this C4 Intertype abandoned at an Historical Preservation Society in Pimpama, just 10 km (6 miles) from where I live.

I asked the Publicity Officer what he could tell me about the machine. He said it was before his time, but that they had owned a number of machines but the rest had been given away, along with all the spare parts.

The machine had been run forward just past the casting position and left there. The first elevator was rusted in this position. I managed to free the machine up and return it to the home position. I put power to machine, and was able to check that the motor ran, the pot drew power and the Mohr saw ran. The main drive belt was rotten and broke.

I checked the machine over and found a number of parts damaged or missing, along with the pot pump safety including the bracket. If I can’t get the replacement parts for the safety, the best I can hope to do is circulate mats. Checking the serial number gave me a shipping date of 1958.

I cleaned the machine up. Typed up a display placard, including a photo of the C4 and details about Linotype’s invention and when Intertype shipped their first machine and when the Society’s machine was shipped. I gave this to the Publicity Officer. He said he would have It laminated and placed on the machine, in time for an open weekend, they have coming up.

In the background of the photo you can see a printing press. It is a Printomatic High Speed Automatic Stop Cylinder Press, made by Soag Machinery Co. in Lambeth, London. It is in much the same condition as the C4.

I know absolutely nothing about printing presses, so I doubt if I can be of much help. There is no power in the area where the machines are located. I had to run an extension lead in to power up the Intertype. If I can get some information on the machine I’ll make a placard up for it too.

White Ant (Termite) Damage

Termite damage
In addition there are dozens of cases of handset type, but the cabinets have all been eaten out by white ants, a real problem in this part of the world. The cases have all collapsed down on top of one another.

The termites eat all the timber and leave a shell. As they do not come out into the daylight, unless you see the dirt they produce they go unnoticed until the structure collapses. They do not eat cedar or hardwood, so I assume the trays are made of cedar. Remove the type trays and the cabinet will collapse.

Intertype fan? Don’t miss the Intertype Chat section of the Metal Type Forum.

Model F Elrod

Andy Taylor sent in these pictures of his “brand new” Model F Elrod strip-casting machine. He’s hoping to send in some video of the machine in operation in the near future. He also has a Model K.

Elrod Model F

Elrod Model F

Elrod pot

Elrod Model F

Linotype Comet 300 TTS

Many thanks to Bill Nairn, from New Zealand, for sending in these photographs — they show a Linotype Comet 300, complete with a Fairchild operating unit attached to the linecaster’s keyboard and the perforating keyboard. The whole set-up is in full operational condition.

Fairchild TTS perforating keyboard
Fairchild TTS perforating keyboard.

Says Bill: “In New Zealand, we had the opportunity to restore a Linotype Comet 300, complete with Fairchild Operating Unit (attached to the Linotype keyboard) and the perforating keyboard.

“This machine is the only survivor in this country of dozens used in our newspapers from the mid-1950s to 1980 and it was important for us to preserve it.

The Comet is now setting type from tape — it is fascinating to watch!

“The Comet was introduced in 1950 by Mergenthaler to meet the ever-increasing demand for more and more production from newspaper linecasters — the batteries of manual machines just could not keep up with the demand. The final development in hot-metal linecasting came in the 1960s with Linotype’s “Elektron” and Intertype’s “Monarch” machines, which could produce up to 15 newspaper column lines per minute.”

Linotype Comet 300 with Fairchild operating unit
Linotype Comet 300 with Fairchild operating unit.

Linotype fan? Don’t miss the Linotype Chat section of the Metal Type Forum.

Withy Grove, Manchester

More pictures from this giant plant which produced the Northern editions of UK national newspapers.

A Ludlow installation
A Ludlow installation.
A stereo plate is taken from the casting box
A stereo plate is taken from the casting box.
Two of the many stones at Withey Grove
Two of the many stones at Withy Grove
A group of lino ops taking a break
A group of lino ops taking a break.
A comp taking a long break!
A comp taking a long break!

Enjoyed the photos? There’s more from Withy Grove on Metal Type. More photos here: Men and Machines and this page has a lot more photos plus loads of comments and feedback from workers: Withy Grove 2.

Mexico City Newspapers

Luis Garcia sent in these photographs, along with details of his 40-year career in the print industry. He describes the pictures in his own words.

Mexico City

This first old picture was salvaged from a house fire in 2001; in first term appears my father (Vicente Garcia), and my uncle (Gonzalo) behind him.

They are in the composing room from the daily newspaper “El Imparcial” in Mexico City in the early 1900’s.

Later on, my father worked for many years for “El Universal” daily newspaper, also in Mexico City where I started my apprenticeship in 1943.

In 1951, I moved to Chicago and I worked for Reliance Typesetting Co. for 15 years with a short interval of one year in 1957 when we moved to Long Beach, California and I worked for The Royal Press, Co.

Then back to Chicago until 1968 when we moved back to Mexico where I owned a typesetting shop until 1982 when electronic equipment took over the hot metal system.

Mexico City News

The following 3 pictures were taken last January in the same newspaper where I started my trade, “El Universal”.

The newspaper pays an homage to the linotype services by installing this monument of a lino machine in the middle of a small fountain which cascades the water down through the newspaper logo and its name.

Old linecaster

Mexico News
My wife took the fourth picture, where I posed with the machine that I am certain I worked with. They had 45 lino machines in that time.
Luis Garcia
In 1996 we went back to USA and during a visit, in 2006, to the International Printing Museum in Carson, California, Dr. Leland Whitson invited me to be a docent. Thanks to Curator Mark Barbour and Trustee and Docent Director Dr. Leland Whitson for letting me feel young again, as you can see me in the last picture taken at the Museum working in the lino again after so many years.

Linotype Model 14 Brochure

Robert Griffith sent in some scans of this 1920s advertising brochure for the Model 14 Linotype. It appears to have been produced by the Chicago office of Mergenthaler.

Intertype brochure
Brochure cover

Striking features of the Model 14

This Linotype may be equipped with one, two, or three full-size magazines which are interchangeable with those of all single- and multiple-magazine Linotypes using quick-change Model 5 magazines.

The auxiliary magazine does not interfere with the shifting or removal of the main magazines. To shift from one face and size to another the operator merely turns a handle; he does not have to rise from his chair.

Auxiliary magazine of twenty-eight channels.

Matrixes from the auxiliary magazine can be mixed at will with those from the main magazines.

Water-cooled mold-disk; Universal ejector for all bodies and measures; Universal knife block; Automatic sorts stacker; Automatic font distinguisher; Thermostat gas governor; All bodies from 5-point to 36-point; All measures from 4 ems to 34 ems.

THE MODEL 14 LINOTYPE equipped with one, two or three magazines and an auxiliary magazine.

The Model 14 Linotype is equipped with three regular magazines and an auxiliary magazine, which adapts to an unusually wide range of work.

When equipped with the three standard magazines, each with a full font of two-letter matrices, there are 540 different characters in six different faces at the command of the operator.

Linotype Model 14 magazine arrangement
Linotype Model 14 magazine arrangement.

In addition the auxiliary magazine can be used for large display faces, advertising figures, or special character of any kind.

Any one of the three main magazines can be brought quickly into operative connection with the keyboard without the operator’s leaving his seat.

The auxiliary magazine is operated from a supplementary keyboard at the right of the operator, and is always available for immediate use.

Matrices from the auxiliary magazine can be mixed with those of any one of the main magazines.

Distribution of matrices, which is automatic, is speedy and absolutely accurate.

The Model 14’s four-mold disk permits the composition of a wide range of type faces and body sizes without change of liners.

For example, the mold pockets may carry a display mold for 36-point, a display mold for 24-point, a recessed mold for skeleton slugs from 10- to 14-point, and another regular mold for 5- to 14-point.

The operator can bring any of the molds into operative position instantly without leaving his seat.

Three molds are included with the standard equipment of this machine, and the fourth mold can be ordered extra if desired.

Linotype fan? Don’t miss the Linotype Chat section of the Metal Type Forum.

Ackley World Journal

Many thanks to Jim Daggs, of Ackley Publishing Company, Ackley, Iowa for sending in these photographs — including one of himself.

Don Fistler
Ackley World Journal Compositor-Pressman, Don Fistler making up ads in 1955.
Cottrell press
Don Fistler feeding a 4-page Cottrell flatbed newspaper press at Ackley World Journal in 1955.
LuRay Meyer
Ackley World Journal Linotype Operator, LuRay Meyer, at Model 14 in 1955.
Jim Daggs
Jim Daggs at C4 Intertype in Ackley, May 1983. G-4 Intertype in foreground.