Nice story from George Finn, explaining how a bit of composing-room ingenuity solved a problem for the Sydney Morning Herald.
BACK in the early 1970’s the Sydney Morning Herald’s presses could only produce 120 broadsheet pages on a collect run.
Yesterday’s Technology . . . Today!
Nice story from George Finn, explaining how a bit of composing-room ingenuity solved a problem for the Sydney Morning Herald.
BACK in the early 1970’s the Sydney Morning Herald’s presses could only produce 120 broadsheet pages on a collect run.
I wrote this thesis back in 1979 as part of City and Guilds studies. I have reproduced it here exactly as it was written.
IN THIS thesis I am setting out to give a brief summary of mechanical composing machines from Mr Church’s first unsuccessful effort back in 1822 to the present day.
George Finn’s amusing account of a Canadian Linotype training course, in Toronto, in 1958.
IN 1958 I was working for Canadian Linotype in Toronto as a service engineer. Although none of the larger newspapers, due mainly to union restraints, were installing, or converting linecaster to teletype operation the Thompson chain and some smaller independent newspapers welcomed the technology.
Don Hauser’s fascinating story of a lifetime in the print industry.
Taken from Don Hauser’s book “Printers of the Streets and Lanes of Melbourne” this is the story of Don’s lifetime career in print from 1949 to the present day.
George Finn tells how he started out in the trade and proves that you can’t judge a letter by the envelope!
IN APRIL 1948, when I was 15, my brother, who was a compositor at The Wagga Daily Advertiser, in New South Wales, got me a job as office boy. After six months I was indentured to serve a six year apprenticeship, as a Linotype Mechanic.
Many thanks to Graeme How for sending in this article, which appeared in the Centennial Edition of the “Weekly News” on November 27, 1963 – the last edition of the magazine appeared in 1971.
HE was one of the last of the old tramp compositors-cum-linotype operators-cum printers. Once upon a time they were a numerous tribe; today they are as outdated as movable type in newspaper headings.
Les Smith, from Lake Macquarie, Newcastle, Australia sent in this amusing anecdote about casting ingots.
HOT METAL shops were great recyclers of type metal and usually hidden in a less attractive location would be the equipment to melt the metal, skim off the dross and cast the ingots.
Dan Williams remembers the inauguration of the Elrod machine at his father’s commercial type shop.
ANY PRINT SHOP of the letterpress era needed loads of spacing material. My dad’s type shop was no exception.
This short piece from Merchant of Alphabets describes the brand new Pravda printing plant in 1934.
ON THE very first day of my arrival Gene Garin, with pride and enthusiasm, took me out to the new Pravda plant – the dream come true of their deliberations four years ago.
How a Linotype matrix is made from Merchant of Alphabets by Reginald Orcutt.
FAR MORE than the layman may find it easy to appreciate, every good type letter is fraught with human spirit. Whether its essence stems from the Humanists of the Renaissance, or comes from the artistic expression of to-morrow morning, its beauty and clarity – and thus its legibility and function – stem from the genius and personality of the artist who designed it and the craftsman who brought it into being.