Thanks to Graeme Howe for sending in these recruitment ads, from the end of 1953.
I would imagine in those days the first one to apply would get the job, and earn enough money to live on. How times have changed!
Yesterday’s Technology . . . Today!
Thanks to Graeme Howe for sending in these recruitment ads, from the end of 1953.
I would imagine in those days the first one to apply would get the job, and earn enough money to live on. How times have changed!
Many thanks to Graeme How, from New Zealand for sending in this illustrated article.
Machinery In The Modern Printing Plant of the ‘Northland Age’ –
Many thanks to Bill Westland for sending in these great photographs. They were taken at the Rochester Times-Union and Rochester Democrat and Chronicle newspapers before computerisation.
A well-dressed Linotype operator
A regular contributor to Metal Type, Graeme How, got in touch to tell me about his local newspaper, The Wairoa Star, celebrating its centenary.
We have five pages of articles about the Wairoa Star sent in by Graeme, check the “Related Pages” menu to see the others.
A superb documentary with interviews from ex Fleet Street workers, produced by digital:works.
The interviewees give a real insight into what it was like to work in the UK national newspaper industry in those days.
The date is Sunday, July 2, 1978, the last time that the New York Times was printed using hot metal.
David Loeb Weiss, then a proofreader and Carl Shlesinger a Linotype operator filmed and narrated this film to record the occasion.
Don’t miss Brighton Argus 1973
We start with a look at the county of Sussex, which the newspaper serves.
Don’t miss Brighton Argus 1990
The film starts with a look at Brighton sea front and other towns in the Brighton Argus circulation area, accompanied by the obligatory cheesy music recorded on a very stretchy tape.
This story is taken from Fleet Street journalist Roy Greenslade’s book “Press Gang: How Newspapers Make Profits From Propaganda.”
It tells the story of Rupert Murdoch’s move to Wapping through the eyes of a journalist who made the move.
Roy Brachet, a Linotype operator on the paper for 25 years, took these pictures on the day of the last hot metal edition of the London Evening Standard.