Superb 1957 photograph of the Heidelberg “windmill” press production line in Germany.
A rather cynical commentator has said: “And each worker adding a single impossible-to-remove taper-pinned part.” Sounds like the comment is a result of bitter experience!Read the Full Article . . .
Thanks to Teo Pelho, from Finland, for sending in these pictures, taken at the Deutsches Museum, Munich and the Gutenberg Museum, Mainz, Germany.
I have very little information about the pictures, so if you think you can “flesh out” any of the captions, please post your suggestions here. Please refer to the pictures by number.Read the Full Article . . .
Many thanks to Ken Blasbery for taking the trouble to copy and send in this book, which was published in 1949, celebrating the centenary of Britain’s oldest provincial evening newspaper.
As you would expect for this type of publication a lot of emphasis is placed on the journalistic side of things, with production matters tending to take second place.Read the Full Article . . .
Andy Taylor took this video of Amberley Museum volunteer Richard at work on the West Sussex, UK attraction’s Model 78 Linotype.
Richard looks like an experienced operator, his keyboard technique is very smooth – not the “pick and peck” method seen on so many of these type of videos.Read the Full Article . . .
Some of you may remember an article that appeared on Metal Type last year called David Evans, A New Era, 2011. It took a look at David Evans’ move from Halifax, West Yorkshire, UK to new premises in Mytholmroyd, four miles up the road.
David, and new partner Stanley Wilson, have even managed to add to their collection of letterpress equipment since the move. I visited the new premises again in June 2012.Read the Full Article . . .
Bruce Anderton recently digitised some of his old photographic slide collection, and sent these in to Metal Type.
Says Bruce: “Note space at the side of the masthead; this was where the edition seal was printed in red (the only colour in the paper in those days); latterly the “fudge” – or late news secor, on the back page – was also printed in red.Read the Full Article . . .
Many thanks to Graeme How for sending in images of this 1982 calendar, drawn by Tony Hall. Says Graeme: “A friend of mine was in London at the time of this calendar which belongs to her. She tells she was a barmaid and knew some of the ‘linotype boys’ who worked on Fleet Street newspapers.”