Yesterday’s Technology . . . Today!
George Clark tells us about his 22 years on the Sunday Telegraph and takes issue with a couple of points made in Malcolm Gregory’s “Fleet Street Piecework” story.
MALCOLM GREGORY paints a very black picture of the S.T. Grass Ship, as one who served on this Ship from April 1964 retiring as a “Regular” on 29th March 1986 I feel I should give a clearer picture.
Malcolm Gregory describes his time working on the Daily Telegraph in London’s Fleet Street from the early 70s to the closure in 1987.
I WAS working on an Intertype at the Walthamstow Guardian when I managed to get a ‘Grass’ on the Sunday Telegraph (this meant working the Saturday as a casual operator) through a fellow operator who put in a word, knowhatimean?
George Clark sent in this very interesting list of old printing trade terms.
A Chapel.-A meeting of compositors is called a chapel, and the members of the chapel form a companionship (shortened to ‘ship) pledged to watch over the interests of the London Society of Compositors (L.S.C.) and its members in the chapel.
Dave Hughes tells of his time on the Yorkshire Evening Press and South London Press, UK.
I WAS first introduced to the Linotype machine in the mid 1970s when I started work as an Apprentice Compositor at the Yorkshire Evening Press, then located in Coney Street, York.
Single-letter machine. The Model 1 Machine was later improved and built for double-letter matrices.
(This machine produced type faces up to 11-point and type bodies up to 12-point, in all measures up to 30 pica ems.)
It would appear to be one of the Whittaker company’s early photosetters.
Steve Robertshaw, Ex Whittaker & Compugraphic UK Engineer, updated this page with the following:
It is an early photosetter that used mainly linecaster technology to produce photoset output.
Interested in early photosetting technology? Check out the Early Photosetting Chat section of the Forum.
This is an early, computerised typesetting machine. The operator selects a character on the keyboard, which triggers a stroboscopic flash to set the type.
Four type styles, each with 105 characters, were available to the operator through filmstrips held on a drum.
S.A.M stood for ‘Sets All Matrices.’ It was a hot-metal linecaster made by M.H. Whittaker & Son.
This would then be cast in the machine. S.A.M. could use matrices from Ludlow, Linotype, Intertype and Nebitype companies.
The Intertype Monarch was designed without a manual keyboard. It relied totally on Teletypesetting (TTS) for setting type, using instructions from perforated tape.
It had an output of 14 lines per minute. A suction manifold held the matrices to the delivery belt as they were delivered at high speed to the assembler.