Yesterday’s Technology . . . Today!
Andy Taylor took this video of Amberley Museum volunteer Richard at work on the West Sussex, UK attraction’s Model 78 Linotype.
Richard looks like an experienced operator, his keyboard technique is very smooth – not the “pick and peck” method seen on so many of these type of videos.
Many thanks to Andy Taylor, of the Elrod Press, for sending in this video of his Elrod strip caster producing 36pt mounting material for 8-guage magnesium plates.
Need some strip material? Click here to open a PDF (in a new window) which shows the varied materials Andy can cast, along with his contact details.
Some of you may remember an article that appeared on Metal Type last year called David Evans, A New Era, 2011. It took a look at David Evans’ move from Halifax, West Yorkshire, UK to new premises in Mytholmroyd, four miles up the road.
David, and new partner Stanley Wilson, have even managed to add to their collection of letterpress equipment since the move. I visited the new premises again in June 2012.
Bruce Anderton recently digitised some of his old photographic slide collection, and sent these in to Metal Type.
Says Bruce: “Note space at the side of the masthead; this was where the edition seal was printed in red (the only colour in the paper in those days); latterly the “fudge” – or late news secor, on the back page – was also printed in red.
There are six pages of Yorkshire Evening Press photos on Metal Type. Check the “Related Pages” menu to see the rest.
Bruce Anderton recently digitised some of his old photographic slide collection, and sent these in to Metal Type.
Many thanks to Graeme How for sending in images of this 1982 calendar, drawn by Tony Hall. Says Graeme: “A friend of mine was in London at the time of this calendar which belongs to her. She tells she was a barmaid and knew some of the ‘linotype boys’ who worked on Fleet Street newspapers.”
Thanks to John S Smith, a retired Linotype operator, for sending in these pictures taken at the Daily Telegraph just before the demise of hot metal.
Or in John’s own words: “These photos were taken just before the demise of the best club in the world, Fleet Street.”
Thanks to Don Mountain for sending in this material that documents the completion and delivery of the 200,000th Heidelberg press in 1968/69.
This article was published in “Seclarion” the newsletter of Seligson & Clare (Aust) Pty Ltd, the Australian Agents for Heidelberg at that time.
Thanks to Thomas Gravemaker for sending in these photographs that he took on a visit to the Stempel Type Foundry, Darmstadt, Germany.
Thomas said: “The photographs were taken on my visit to the Stempel Foundry in Darmstadt, Germany. They’re housed in the Haus fur Industriekultur, where they have a fantastic working museum, presses, type, A complete range of Linotypes (from the earliest ones to the latest versions) and some Monotype material as well.
Many thanks to Flickr user Robert Clerebaut for allowing these photographs of his father’s print shop in Brussels, Belgium, to be used on Metal Type
Robert said: “My father started as a typesetter in 1928. He opened his print shop in Brussels in 1937. I studied at the School Amsterdamse Grafische (1956-1960) and worked in the family print shop in Brussels. In addition, I gave over 13 years at the National School of Visual Arts of La Cambre (1993-2005). Since 1980 member of the Rencontres Internationales de Lure, and I met Francois Boltana.