Linotype Model 14

Linotype model 14

THIS MACHINE is a Model 8 plus the wide auxiliary magazines of 34 channels.

The auxiliary features of the Linotype gives the machine a considerably wider range of usefulness: each magazine will accommodate a full alphabet of characters and figures of any size up to and including extended 36 point, and medium condensed faces up to 60 point. Read the Full Article . . .

Later Machines

Illustrations and machine descriptions of Models 8 to 26 are from a pamphlet called “Linotype Flexibility” published by the Mergenthaler Linotype Company in 1930. Models 28 to 32 from “Linotype Machine Principles” published in 1940.

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Welcome to Metal Type

METAL TYPE is the place for printers, typesetters and newspaper workers, who fondly remember those letterpress days, to come and reminisce.

The site originally concentrated on the ingenious Linotype mechanical typesetting machine invented by Ottmar Mergenthaler in 1884. Read the Full Article . . .

Linotype Model 4 (First Style)

Linotype Model 4 (First Style)

This model increased the capacity of the Linotype machine, enabled the operator to effect a quick change from one magazine to another, and from one mould to another, without getting off his chair, and provided a composing machine suitable for general jobbing as well as the newspaper printer.

With three magazines in position, each charged with double-letter matrices, and with the necessary moulds in the mould wheel, this model was capable of turning out work of varied character at the highest possible speed. Read the Full Article . . .

The Linograph

The basic patent on a combined assembling, casting and distributing machine granted to Ottmar Mergenthaler on 12 May 1882, expired in 1902 and the Mergenthaler patent on the Schuckers expandable wedge spaceband expired in 1909. Certain other Linotype patents became void soon after 1909.

By 1912 it was legally possible for anyone with sufficient capital to manufacture a machine that would assemble and cast lines of type. Read the Full Article . . .